It is an earnest movie that discusses many social issues but in the process loses its narrative focus and emotional depth.

Dermatologist Dr Sanjeev Yadav shares how to deal with persistent redness that follows inflammation and acne.

With sign language interpreters as part of the narrative, creative captioning, and a message on discrimination, the play sets a new standard for inclusive theatre in Nepal.

‘The Mehta Boys’ explores the strained relationship between a father and son, highlighting their emotional distance.

Unhealthy coping mechanisms like avoidance, binge eating and social withdrawal can feel like a relief but often cause more harm.

Namuna College of Fashion Technology’s annual graduation fashion show showcased 88 final-year students’ designs blending heritage, spirituality, and innovation.

Despite lacking a dedicated hall, Kalalaya, a non-profit theatre and arts organisation, proves that theatre is about people, not just performance spaces.

‘Mother of Snow Cranes’, recently screened at NIFF, shows the life of Ellen Vuosalo, who escapes a toxic marriage and finds strength.

Shreya Tamang turned her love for handmade flowers into a growing business while juggling college and a part-time job.

Prajakta Koli’s ‘Too Good To Be True’ is a light, engaging novel that explores the highs and lows of modern relationships.

Loss and remembrance take centre stage in ‘What Once Was’, where personal artworks resonate universally.

Novelist Govinda Raj Bhattarai discusses his literary journey and the qualities of a good translation.

Even with its remarkable storytelling and symbolism, one can’t help but wonder why it hasn’t attracted the audience it deserves.

Counsellor Aastha Lakhe explains the long-term psychological impacts of authoritarian parenting on kids.

With well-developed characters and sharp humour, the film successfully balances comedy with social commentary.